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All Chucky Movies in Order

Get yourself a Good Guy doll.

One of the Chucky dolls tied up and gagged in "Chucky" season 2
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Chucky, a doll with more stitches than a baseball and a heart as dark as burnt toast, is a cautionary tale against back alley deals and not reading the fine print, especially when it involves voodoo. Created as a ‘Good Guy’ doll—a marketing moniker that oozes irony—Chucky is inhabited by the soul of serial killer Charles Lee Ray (Brad Dourif), making him the antithesis of playroom fun. 

The dark comedy and horror of the Child’s Play franchise, with Chucky’s seemingly innocent demeanor in contrast to his deadly intentions, serve up a circus of bloody slapstick that makes you wonder if you should laugh or put all the toys away in the attic. And as the sequels multiply like rabbits—each more ludicrous than the last—Chucky cements his status as the doll that refuses to be shelved. Here are all of his flicks to date. 

1. Child’s Play (1988)

(MGM)

In the annals of horror, there’s a special shelf for the 1988 classic Child’s Play, where the terror is as plastic as its pint-sized antagonist. This movie introduced the world to Chucky, the doll with a smile so wide it could only be concealing something sinister. And how right those instincts proved to be. The story begins innocently enough, with a gift that every child of the ’80s would pester their parents for—a ‘Good Guy’ doll. 

But this particular doll comes with a free extra: the soul of a serial killer who isn’t ready to call it quits on life or murder. The film’s premise is as easy as a game of hide and seek; only the seeker is a two-foot menace in overalls. It’s a merry-go-round of scares, deftly crafted by director Tom Holland, who mixes the right amount of suspense with the absurd. 

2. Child’s Play 2 (1990)

(Universal Pictures)

Child’s Play 2 is the sequel that asks the question: “What could go wrong if a toy company decided to resurrect a line of dolls that was recently the center of a murder spree?” In this gleeful slice of horror-comedy, the audience is reintroduced to Chucky, the doll with more lives than a cat and a meaner streak than a toddler denied candy. 

The film picks up where the first left off, with the manufacturers of the ‘Good Guy’ dolls doing what any sensible corporation would do—reviving the brand by recycling the very same doll that hosted a serial killer’s soul. Chucky comes back in the body of a toy whose innocence is as artificial as its smile. He’s got unfinished business, specifically with poor little Andy, whose therapist bills must already be astronomical. 

3. Child’s Play 3 (1991)

(Universal Pictures)

The third installment of the series decided that the only thing more terrifying than a murderous doll is a murderous doll in a military academy. The film fast-forwards to Andy’s adolescent years. He probably thought puberty would be his biggest problem until his pint-sized nemesis re-enlisted. 

Chucky, ever the overachiever in the arts of chaos and carnage, makes a comeback so unexpected it would put any soap opera twist to shame. In this academy of horrors, Chucky is not just playing soldier; he’s on a full-blown campaign of terror, proving that you can indeed teach an old doll new tricks—or rather, the same old trick with a fresh set of recruits. The film marches to the beat of its own deranged drum, blending the rigidity of military life with the anarchy that follows Chucky like a shadow. 

4. Bride of Chucky (1998)

(Universal Pictures)

Bride of Chucky, the 1998 foray into matrimonial mayhem, takes the adage “Til death do us part” to heart and stabs it—repeatedly. Here, we meet Tiffany (Jennifer Tilly), a doll with more sass than a beauty salon, who becomes the bleach-blonde, leather-clad love interest to our favorite pint-sized psychopath, Chucky. 

Their romance is as conventional as a chainsaw at a tea party, replete with murder, resurrection rituals, and the kind of couple’s quarrels that end with stuffing flying instead of plates. The film, directed by Ronny Yu, is a road trip flick where Thelma and Louise are two dolls on a homicidal honeymoon, leaving a trail of bodies and one-liners in their wake. Bride of Chucky walks down the aisle with a wink, tossing the bouquet of black roses to any viewer who enjoys their romance with a side of terror. 

5. Seed of Chucky (2004)

(Rogue Pictures)

Seed of Chucky introduces Glen (or Glenda), the offspring of our beloved demonic dolls, proving that the apple doesn’t fall far from the tree—especially if that tree is in a haunted orchard. This film takes the doll family saga to meta-heights, with a self-awareness so pointed it could be used as a murder weapon. 

Here, the family reunion is less ‘heartwarming’ and more ‘heart-stopping,’ as Chucky and Tiffany try their hand at parenting. Director Don Mancini toys with the idea of nature versus nurture, blending slasher elements with reality TV absurdity. It’s a satirical jab at Hollywood, celebrity culture, and the concept of domestic bliss—if your idea of bliss includes possession, murder sprees, and the occasional existential crisis. 

6. Curse of Chucky (2013)

(Universal Studios Home Entertainment)

In Curse of Chucky, we find our diminutive demon doll shipping himself off to a family reunion nobody asked for. Gone is the campy humor of his nuptials and parenting misadventures; Chucky is back to basics, and his knife is as sharp as ever. This time, he’s infiltrating a house so full of secrets it makes the doll’s shady past seem almost comical.

Directed by Don Mancini, the puppet master of the franchise, this chapter returns to the sinister roots of the series, delivering a dose of good old-fashioned horror that’s as refreshing as a splash of holy water to the face. The film gives us a Chucky who’s a connoisseur of claustrophobia, turning a gloomy family mansion into his playground of terror. 

7. Cult of Chucky (2017)

(Universal Home Entertainment)

The 2017 feature, where the ‘cult’ is taken quite literally, might make you ponder whether Chucky has a loyalty card for every resurrection he undergoes. This time, the diminutive devil finds himself in an asylum, which is a bit like putting a fox in a hen house and expecting no feathers to fly. Director Don Mancini orchestrates this symphony of the surreal, where our favorite homicidal doll is multiplying—because why settle for one when you can have a congregation? 

In Cult of Chucky, Chucky is not just a slasher; he’s a phenomenon, a franchise quarterback throwing Hail Marys with his signature knife. The inmates are as colorful as a box of crayons left on a radiator—melting under the pressure of Chucky’s brand of therapy, a less talking cure, and more shrieking scare. 

8. Child’s Play (2019) 

(United Artists Releasing)

The 2019 Child’s Play reboot is what happens when Silicon Valley has a fever dream and decides to dip its microchips into the horror genre. The modern-day spin on the classic ’88 terror toy saga ditches voodoo for a defective AI, proving that perhaps the scariest thing in our world is a software update gone awry.

Directed by Lars Klevberg, this iteration introduces us to a Chucky for the 21st century—less possessed by a serial killer’s soul and more by the spirit of a rogue tech developer with a grudge. The film plugs into contemporary fears: technology run amok, privacy invasion, and the idea that maybe, just maybe, we should read the terms and conditions. The film stirred some controversy for excluding Chucky creator Don Mancini, and many diehard fans don’t consider it canon. If you’re looking for more Mancini madness, you’re better off watching Chucky the series, the first two seasons of which can be found on streaming.

(featured image: Syfy/USA Network)

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Author
Faith Katunga
Faith is a freelance journalist with an insatiable curiosity for all aspects of current events, from the global economy and fashion to pop culture and travel. She watches an absurd number of cat videos on Instagram when not reading or writing about what is going on in the world. Faith has written for several publications, including We Got This Covered, Italy Magazine, TheTravel, etc., and holds a master's degree in Fashion Culture and Management.

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