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Yes, Of Course Donald Trump’s Racism Is Deliberate

Donald Trump speaks emphatically in front of the white house seal.

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There’s been a lot of attention in recent days on Donald Trump’s refusal to stop calling the COVID-19 coronavirus the “Chinese Virus.” He’s continued to use the phrase on Twitter and in press conferences, against the advice of the World Health Organization and despite pleas that he stop fanning the flames of anti-Asian stigmatization.

During a recent press briefing with the coronavirus task force, some of Trump’s notes were visible to the press and they show just how deliberate his use of the racist term is. Photographer Jabin Botsford caught a clear image of Trump’s speech typed out, with the word “Corona” crossed out in Sharpie. “CHINESE” was handwritten in above it.

This makes clear what we already knew: that Trump knows this terminology is not the official norm and he’s making a deliberate choice to go out of his way to use it, most likely just to spite and anger those who have asked him to stop.

There are a lot of people now saying that Trump’s choice of terminology is a “distraction,” meant to divert attention away from his total ineptitude in the handling of the coronavirus epidemic. Some argue, then, that we should ignore stunts like this. I would argue we have the capacity for both. We can demand Trump answer questions about the lack of testing and the shortage of necessary medical supplies and also call out his overtly racist rhetoric.

When the President of the United States uses deliberately racist terminology, even if his goal is to “distract” from something else, that is not something to be ignored, ever.

(image: Chip Somodevilla/Getty Images)

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Vivian Kane
Vivian Kane (she/her) is the Senior News Editor at The Mary Sue, where she's been writing about politics and entertainment (and all the ways in which the two overlap) since the dark days of late 2016. Born in San Francisco and radicalized in Los Angeles, she now lives in Kansas City, Missouri, where she gets to put her MFA to use covering the local theatre scene. She is the co-owner of The Pitch, Kansas City’s alt news and culture magazine, alongside her husband, Brock Wilbur, with whom she also shares many cats.

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