Phoebe Dynevor in Inheritance (2025)
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‘Inheritance’ interview: Neil Burger talks about the thrill of shooting on an iPhone

Neil Burger, known for directing visually compelling films like The Illusionist, has embraced an innovative approach for his latest project, Inheritance. In an interview with The Mary Sue, Burger shared his experience of shooting an international thriller on an iPhone, a decision that brought fresh cinematic language to the film.

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Inheritance puts you in the moment

According to Burger, the decision to shoot on an iPhone wasn’t just a stylistic gimmick. Instead, it was a deliberate choice to create a “you are there” experience for the audience. The handheld quality of the iPhone allowed the crew to capture raw, real-world energy without disrupting their surroundings.

 “We shot it this way not just as a gimmick or a substitute for a motion picture camera, but because it gave us access,” Burger explained. This access meant the team could film in crowded markets in Cairo or bustling airports without drawing attention, allowing the world to naturally unfold around the characters.

One of the standout aspects of Inheritance is its commitment to realism. Burger described how the team filmed full dialogue scenes on actual flights, a feat rarely attempted in cinema. “We were in flight, flying over the Atlantic from JFK to Cairo when those scenes took place,” he said. This emphasizes the authenticity this approach brought to the film. The lack of artificial setups, no boom mics or elaborate lighting rigs meant the film captured life as it happened.

This method also extended to scenes shot in high-security locations like passport control. Burger revealed that the crew “stole” these moments without permission. They lean into the spontaneous, on-the-go aesthetic that shooting on an iPhone afforded. “If you’re going through passport control or you’re on a plane stealing the shot, there’s no wide shot and then a close-up and then a close-up of her hands,” he said. Instead, the film embraced a fluid style that heightened its intensity.

One of a kind

What sets Inheritance apart from other iPhone-shot movies is the scope and ambition of the project. “We’re the first movie that shot an international thriller on an iPhone that has this scope, that goes around the world,” Burger said. While other films have used smartphones traditionally, Inheritance embraces the possibilities of the medium to create a new cinematic language. It blends raw authenticity with striking visuals.

The cast also played a crucial role in bringing this innovative project to life. Leading actress Phoebe Dynevor, known for her role in Bridgerton, embraced the raw, unfiltered style of filming. Burger described her as totally game for the unconventional process. Which involved no touch-ups between takes and a fast-paced, on-the-fly shooting schedule. “She had this tough, kind of badass quality inside her,” he said.

Inheritance is out now, and it’s a must-watch for anyone who loves a good thriller with a twist of innovation. Burger’s decision to shoot on an iPhone brings an immersive energy to the film that you won’t find anywhere else. It’s bold, it’s fresh, and it proves that great storytelling isn’t about the equipment, it’s about the vision.


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Sara Large
Contributing Writer
Sara Large (she/they) is a contributing writer at The Mary Sue, specializing in horror, thriller, and true crime. A proud advocate for neurodiversity and inclusivity with a passion for geek culture, Sara has been active in the fandom world since 2016, racking up over 1 million views on her personal platforms—thanks in part to some ADHD-powered hyperfocus! Her love for online communities and pop culture led to an exciting role at Skybound Entertainment, where she worked on iconic franchises like The Walking Dead and Invincible. Whether it’s comics, TV shows, or anything in between, Sara is all in! You can follow her on most platforms @mamadeadhead.