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We’ve all seen light paintings, where a super long exposure makes it appear that light is being “drawn” on an image. However, Wittner Fabrice gives this technique a twist: Instead of using a light pen to create flourishing shapes, he uses a stencil that is briefly but intensely illuminated during a long exposure photograph. The results are stark, etherial images that are almost ghostly. Fabrice’s placement of some of these in the rubble of the Christchurch earthquake are especially poignant.
(images via Wittner Fabrice via Dudecraft)
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Published: Jan 28, 2012 12:04 pm